In another age, another country,
this would be hallowed:

a burnt out blue Mercedes
on the apron of a desert highway,

seared not by fire, but light,
its unblemished azure parched

by centuries of sun, cherry
leather bucket-seats atrophied

like old cupped hands.
O merciful blaze, drought’s deliverer,

thief of colour, bleach this car
as pale as alabaster, delicate

as porcelain. Push it to the point
of bone, sculpt it to the flute

skull of a prehistoric lizard,
so fine that a breeze could

powder it away. Mercy me,
I could search this beast all day,

not for amulets: rabbit’s foot
in glove-box, worry beads

suspended from the mirror,
a dead-language magazine,

not for relics, signs, or clues
about the driver, not for his

half-credible, half-creditable story,
more for some memento mori.

 

 

 

MICHAEL SYMMONS ROBERTS has published four collections. The most recent, Corpus (Cape, 2004), won the Whitbread Prize for Poetry and was shortlisted for the TS Eliot, Forward and Griffin prizes. His first novel
Patrick’s Alphabet was published by Cape in 2006.

 

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