Luis Miguel Aguilar
Ricardo, Witness / Hilario, Imprudent / Pechy,
Riled-up / The Twins, Prostitutes
Victor Manuel Mendiola
The Fishbowl / Doubles
Eva Salzman
The Letters I Never Sent / Practises
Carol Rumens
The Submerged Cathedral
Ian Duhig
Since the Epoch of the Five Dynasties / Rosary
/ Beyond the Pole / Blood
Hilary Llewellyn-Williams
Steering by the Stars
Stanley Moss
Babies / September 11: A Fable
/ The Watch
The Last Judgment 1: The Tattooed
/ The Blanket
Beauty Is Not Easy
Greg Delanty
On Reading the Diaries of / Christopher
Columbus / The Goat Days
/ Sound Kinetics
Chris Beckett
Double exposure / The Black Madonna
/ Her arm
Marilyn Hacker
Desesperanto
Michael Arnold Williams
The Book
Eugene Dubnov
Approaching the Sea / But Still Across
the Earth / The Rye is Endless
/ In Search
Zoe Skoulding
Adela's Elephant / Bazaar
Charles Bennett
The Unicorn Diaries
John Sewell
Reciprocity / Eight Beech Leaves / The
Apple Garden
Peter Kenny
An adumbration of the Light Age / Ernstophilia
The Task of Adam: The Naming of Things
Jennifer Clement writes from Mexico City on the life and work of Octavio
Paz
A Poet You May Want To Know Better: Homero Aridjis
Jason Wilson interviews and reviews the poet to find a "white glow
of mind"
Hidden Abysses of Feeling; And A Private Area
of Experience
D.M. Black's admiration for two dissimilar collections from Pascale Petit
and Jo Shapcott
The Ecstatic Voice
Susan Mitchell discusses the iconic American poet, Stanley Kunitz
Language About Language or A Metaphor Not On Platform
8
P.D. Luczinski's close reading of three distinguished poets: Mark Ford,
Anne Stevenson and Simon Armitage
Knowing, Knowingly Innocent or Innocent?
Carol Rumens on the flavour of the work of three poets: Selima Hill, Neil
Rollinson and Greta Stoddart
Fuzzy Pubic Mice and A Sighting of Freud
Moniza Alvi embraces two pink first collections by Clare Pollard and Joanne
Limburg
Is Poetry International Becoming Too British?
Daniel Weissbort seeks an answer in the festival's history