poem
Tom Sleigh On First Avenue and Sixth Street
There are days the whole world gets down on all fours;
if you’re twenty or sixty, you’d do it in an alley,
bodies thrown together –
and when it’s over, one or both of you stumbling
out into afternoon, ghosting
through air it goes
on and on...
The absence that starts to shine on Atlantic Avenue,
the crazy drive-by
joy that turns the speakers so loud the car
vibrates now becomes years later
a story you tell your child who grows up to be a Veejay
in a dance club
over in Williamsburg.
The East River where you used to walk in Carl Schurz Park
looks like it drags
into the current’s weave the Domino Sugar Factory,
silo architecture on fire in the oily spangle
that joins the Hudson upstream at Spuyten Duyvil.
The world gets down on all fours
and that’s you
yelling your head off as a boy, pounding your mitt,
the grass not quite grown-in because it’s April
and the odors wafting up are dogshit and leafrot,
spunk buried in winter muck
releasing head clearing
effluvium, sky overarcing the batting cage
and chainlink backstop, home plate’s white diamond
making a satisfying thump womp when you pound
your bat three times as you step up to the plate:
out there in the river
a pirate was flung from the yardarm,
and that’s where the giant ape
clung, beating his chest bloodied by machine guns
of the gnat-sized Curtiss Helldivers
his giant, seamed hand
bats from the sky.
Or the mushroom blast looms up in the boxed-in screen
and radiation transmogrifies
crabs become the size
of boxcars that charge you from their cave
where they discuss your fate
in the voices of mad scientists
they’ve just eaten.
This is the day when the world
gets down on all fours, and you and she lie out on the city beach,
sun dazzle in the shallows, tinflash on the far swell
as the thieving Parking Meter Czar
slashes his wrists
upstairs while talking to his shrink,
his wife listening in
too late on the extension downstairs... for the wife
a tragedy,
but for the two of you chuckling
at the headline,
Corrupt Meter Man Expires,
weren’t you happier
back then, tuned in to radio waves beamed out across the universe,
the song’s last word reversed
the first word alien ears would hear, whole lotta love
evol attol elohw
the radio bubble widening 100 light years through space
broadcasting Led Zeppelin, Cream, Zappa’s
‘Weasels Rip My Flesh’
inspiring your own vodka-fueled arias
never heard in the high clamshell hall
listening to the woman without
a shadow
sing to the unborn children singing
in the frying pan their lovely sorrow at not being born:
don’t let yourself be turned
to stone
like the Emperor who can only be saved
if his wife, Empress of the Spirits,
gets down on all fours
and finds a human woman who will sell to her her shadow:
the composer
said this opera was his ‘Child of woe’,
and you yourself staring down
like the giant ape, surprised to find your hand
empty, beast to her beauty,
are swaying, falling
through skyscraper horizons
to a woman’s voice
singing you to sleep half a century ago
where you’re floating downstream among bulrushes and cattails
toward your rendezvous with Pharaoh’s
daughter who fades
into the Domino Sugar Factory’s glow
as sun
tangled in bridge cables
portions out currents quarreling into zones
blazing up like gas flames
on the little gas stove in your walkup on First Avenue
above the Ukrainian beauty parlor where you first felt
the world getting down on all fours and you followed along
in your dog’s instinct for pleasure –
it seemed like it would last
forever, didn’t it, her reading out from the paper
and the two of you laughing together
until you both
lost your shadows and were condemned to walk
among the spirits who cry out to you like cats wawling
in the weed-clumped frozen garden down below.
Now, the Empress and Emperor sing their final duet
in praise of the unborn, drowning out
the cats as the river
brims over,
reflecting the schooner Tiger
shooting flames from topmast to bowsprit,
the hull listing,
sinking into its own smoking
hiss and onrush
of waters
buried under fill buried under
the fallen tower
never dreamed of by the Empress or Emperor
who sing not to vaporized wisps
of DNA
but to spirits crowding into starry vestibules.
And there you are with your crew, wintering over
as you build the Restless
and in the first spring wind launch her through
Hell Gate into the great bay
beyond, sailing up
as far as the River of Red Hills
before crossing the wide ocean to your house in Old Wall Street
you and your wife called The Two Hooded Crows
and where you lie down in your bed
alone because she died while you were at sea, and you only
found out the moment you came ashore –
and that first night
after twenty-five years together, you dream
of furred beasts slinking
through your campsite,
your human smell fading into musk and scat.
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